• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Reviews from Broadway and Beyond

  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Elysa Gardner
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Elysa Gardner
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
December 14, 2018 2:09 pm

Dr. Seuss’s How the Grinch Stole Christmas!: Family Fun in Whoville

By Elysa Gardner

★★★☆☆ The holiday favorite returns to Madison Square Garden, with Gavin Lee as the titular grouch

 

Mackenzie Mercer, left, and Gavin Lee in
Mackenzie Mercer and Gavin Lee in How the Grinch Stole Christmas! Photo: Jordan Bush

“Ho, ho, ho.” The expression is one we associate with holiday cheer, with visions of sugar plums dancing in children’s heads. But as uttered by Gavin Lee, the latest accomplished actor to take on the title role in Madison Square Garden’s annual production of Dr. Seuss’s How The Grinch Told Christmas, at the Hulu Theatre, “Santy” Claus’s salute becomes a snarky declaration of irreverence, a sardonic retort to the whole notion of peace on earth, good will toward men.

Lee comes to Grinch fresh from his Drama Desk Award-winning, Tony-nominated stint as Squidward Q. Tentacles, the similarly misanthropic octopus in the Broadway musical SpongeBob SquarePants, and anyone who saw that production may well notice a similarity between his takes on the great grouches, particularly in the gravelly voice the actor assumes here. But then it could be argued that Squidward himself owes a debt to the Grinch, one of the most colorful and enduring anti-heroes—to call him a villain wouldn’t be right, given his ultimate transformation—in children’s literature. Lee clearly has a swell time with the part, and seems determined that audience members of all ages have just as much fun watching him.

“What are you looking at, old lady?” the leading man bellowed at a woman in the orchestra section on opening night. “You want a piece of me?” Lee gives us more than that, throwing his nimble body and playful spirit into the role as Grinch devises his dastardly scheme to rob all the Whos in Whoville of their holiday celebration. He is unwillingly accompanied, for anyone unfamiliar with the plot, by his dog Max, played as a good-natured pup by a spry Aleksa Kurbalija. Old Max, who narrates, is played (for the fifth year) by a suitably wistful Ken Land; both actors sustain an easy comedic rapport with Lee, making the signature number “You’re A Mean One, Mr. Grinch” a goofy treat.

They are joined, under Matt August’s guidance (Jack O’Brien conceived the show and is its original director), by the Whos, as usual, on a vast stage, with lighting designer Charlie Morrison bathing Robert Morgan’s fanciful costumes, full of frills and tails, in yummy shades of magenta, periwinkle, royal blue and, of course, green. John Lee Beatty’s set offers replicas of Dr. Seuss’s indelible illustrations, including the bed a bunch of Whos snuggle in.

The adorable, impossibly functional family Grinch tries to sabotage, before his heart grows three sizes, is played by a mix of veteran and fledgling actors, from the Broadway alumni who make the parents and grandparents warm and fuzzy—Jacquelyn Piro Donovan (Mama), Danny Gurwin (Papa), Rosemary Loar (Grandma) and Stuart Zagnit (Grandpa)—to Mackenzie Mercer and Avery Sell, who alternate the role of little Cindy Lou Who. Mercer was on duty opening night, delivering her lines and songs with enough high-pitched cuteness to rival any Baby June, eliciting affectionate laughter and “aww”s from the crowd.

You’d have to be an ogre not to feel a slight tug in your chest when Cindy Lou identifies the Grinch in the final scene, and all her kin embrace him. Oh, to live in a world where such Scrooges are so easily reformed—but since we don’t, How the Grinch Stole Christmas continues to provide family-friendly fantasy, along with ideals we should all aspire to.

How the Grinch Stole Christmas! opened December 13, 2018, at the Hulu Theatre at Madison Square Garden and runs through December 30. Tickets and information: grinchmusical.com

About Elysa Gardner

Elysa Gardner covered theater and music at USA Today until 2016, and has since written for The New York Times, The Village Voice, Town & Country, Entertainment Weekly, Entertainment Tonight, Out, American Theatre, Broadway Direct, and the BBC. Twitter: @ElysaGardner. Email: elysa@nystagereview.com.

Primary Sidebar

Hamlet: To Be or Not to Be Seen? Definitely to Be

By David Finkle

★★★★☆ Hiran Abeysekera is the tough title figure of the classic, Robert Hastie directs

Hamlet: Cool and Clear

By Michael Sommers

★★★☆☆ Hiran Abeysekera heads a multicultural ensemble in the National Theatre’s visiting production

Cable Street: Timely Echoes of a Little Known Battle

By Roma Torre

★★★★☆ Brits Off Broadway at 59E59 Theaters dazzles with a new musical about a true event in UK history.

Kenrex: A True Crime Thriller Boasting Rollercoaster Thrills

By David Finkle

★★★★★ Actor Jack Holden and writer/director Ed Stambolloulian hit the bull's eye with Kenrex

CRITICS' PICKS

Joe Turner’s Come and Gone: Revival of Wilson’s Drama About “Finding Your Song” Mostly Sings

★★★★☆ Cedric the Entertainer and Taraji P. Henson star in Debbie Allen's revival of August Wilson's modern classic.

The Balusters cast

The Balusters: Love Thy Rule-Following, Historically Appropriate Neighbor

★★★★☆ Kenny Leon directs David Lindsay-Abaire’s new comedy about a neighborhood association gone wrong

Proof: 25-year-old Pulitzer Winner Proves to Be Even Better Than Before

★★★★★ Ayo Edebiri heads the cast in Thomas Kail’s production of the David Auburn play

Death of a Salesman: More Relevant Than Ever

★★★★★ Nathan Lane, Laurie Metcalf and Christopher Abbott star in Joe Mantello's emotionally searing revival.

Cats the Jellicle Ball ensemble

Cats: The Jellicle Ball: A Disco-Tastic Revival of Lloyd Webber’s Musical

★★★★★ You’ll be feline good after this ultra-glam Broadway-meets-ballroom production

Becky Shaw: A Brilliant Dissection of Love and Family Dysfunction

★★★★★ Gina Gionfriddo's 2008 black comedy gets a masterful revival from Second Stage Theater

Sign up for new reviews

Copyright © 2026 • New York Stage Review • All Rights Reserved.

Website Built by Digital Culture NYC.