• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Reviews from Broadway and Beyond

  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Will Friedwald
    • Elysa Gardner
    • Sandy MacDonald
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Will Friedwald
    • Elysa Gardner
    • Sandy MacDonald
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
December 13, 2019 4:28 pm

‘Twas the Night Before: Cirque du Soleil’s Bright New Holiday Gift

By Michael Sommers

★★★★☆ Aerialists and acrobats deliver Christmas cheer to Madison Square Garden

‘Twas the Night Before features a hoop diving routine among its acts. Photo: Errisson Lawrence

Cirque du Soleil unwraps a happy new holiday gift for family audiences with its ‘Twas the Night Before …, a cheerful high-performance show inspired by the venerable “A Visit From St. Nicholas” Christmas poem by Clement Clarke Moore.

Don’t expect to see any quaint “mama in her kerchief and I in my cap” kind of Victorian fantasy here at Madison Square Garden’s Hulu Theater, however. ‘Twas the Night Before … is a modern-day Cirque event that expertly delivers an 80-minute barrage of acrobatic and aerial sequences staged in visually stylish circumstances.

The opening situation involves a dad trying to read the vintage poem to his tween daughter Isabella, who’s absorbed more by her iPad. Then an intervening snowstorm wafts Isabella off into a winter wonderland where she witnesses a dozen or so various, well, Cirque acts. These sequences are loosely drawn from excerpts of the poem, but there’s no need to know the source material to enjoy the show.

Although the stage’s proscenium frame proves somewhat limiting, aerial performances tend to predominate. Most notable among them: An incredibly lithe Katharine Arnold furiously whirls around and upside down within a spinning luggage cart suspended in midair. As Isabella’s moody dad, Alexis Vigneault coils the wire of a hanging light fixture around himself and rapidly spirals upwards into a poetic demonstration of high-flying physicality.

Impressive as well is the sharp precision of a neat diablo act—those yoyo-like thingies thrown around on string/stick implements—performed by Ming-En Chen, Tsung-Ying Lin, Ting-Chung Wang, and Chia-Hao Yu who even venture out into the audience to hurl their glowing orbs at each other from awesome distances.

Mischievous mirth arises during the two appearances by a six-member troupe of acrobats. First, dressed in fanciful striped onesies—James Lavoie designed the show’s glittery costumes—they ably tumble through some tabletop shenanigans. Later, sporting reindeer drag, they hurl themselves into a dandy hoop diving routine. So take a bow, fellas, you deserve it: Quentin Greco, Jacob Grégoire, Chauncey Kroner, Timothé Vincent, Jinge Wange, and Evan Tomlinson Weintraub.

A roller-blade duo, a juggling act, and a hula hoop performance are among other diversions, and the little kids sitting near me got very giggly when Francis Gadbois, an easygoing clown, imitated a kitty doing his business in an invisible litter box.

Directed by James Hadley, the production moves along quickly and fluently across Genevieve Lizotte’s setting of sparkling feather boas that is periodically drenched in vivid colors by Nicolas Brion’s lighting. The prerecorded orchestral music accompanying the acts involves dramatic variations on Christmas carols and holiday songs as handsomely crafted by Jean-Phi Goncalves.

All of these top-notch production elements serve very well to package and deliver the show as a dandy entertainment. And while it’s always nice to see a white Christmas, let’s further note that ‘Twas the Night Before … happens to be populated by a multicultural company of artists. So this lively attraction truly represents an inclusive holiday show for the family crowd.

‘Twas the Night Before… opened December 12, 2019, at the Hulu Theater at Madison Square Garden and runs through December 29. Tickets and information: cirquedusoleil.com

About Michael Sommers

Michael Sommers has written about the New York and regional theater scenes since 1981. He served two terms as president of the New York Drama Critics Circle and was the longtime chief reviewer for The Star-Ledger and the Newhouse News Service. For an archive of Village Voice reviews, go here. Email: michael@nystagereview.com.

Primary Sidebar

The Last Bimbo of the Apocalypse: Skanks for the Y2K memories

By Michael Sommers

★★★☆☆ Gen Z vloggers seek clicks and a missing chick in a mixed-up new musical

Sexual Misconduct of the Middle Classes: Let’s Hear It From the Boy

By Melissa Rose Bernardo

★★★★☆ Hugh Jackman plays a professor entangled with a student in Hannah Moscovitch’s 90-minute drama

Sexual Misconduct of the Middle Classes: Star Power Up Close

By Frank Scheck

★★★★☆ Hugh Jackman and Ella Beatty co-star in this intimate drama about a university professor who has an affair with one of his students.

The Black Wolfe Tone: Kwaku Fortune’s Forceful Semi-Autographical Solo Click

By David Finkle

★★★★☆ The actor, new to the Manhattan Stage, makes himself known, as does director Nicola Murphy Dubey

CRITICS' PICKS

Dead Outlaw: Rip-Roarin’ Musical Hits the Bull’s-Eye

★★★★★ David Yazbek’s brashly macabre tuner features Andrew Durand as a real-life desperado, wanted dead and alive

Just in Time Christine Jonathan Julia

Just in Time: Hello, Bobby! Darin Gets a Splashy Broadway Tribute

★★★★☆ Jonathan Groff gives a once-in-a-lifetime performance as the Grammy-winning “Beyond the Sea” singer

John Proctor Is the Villain cast

John Proctor Is the Villain: A Fearless Gen Z Look at ‘The Crucible’

★★★★★ Director Danya Taymor and a dynamite cast bring Kimberly Belflower’s marvelous new play to Broadway

Good Night, and Good Luck: George Clooney Makes Startling Broadway Bow

★★★★★ Clooney and Grant Heslov adapt their 2005 film to reflect not only the Joe McCarthy era but today

The Picture of Dorian Gray: A Masterpiece from Page to Stage

★★★★★ Succession’s Sarah Snook is brilliant as everyone in a wild adaptation of Oscar Wilde’s prophetic novel

Operation Mincemeat: A Comical Slice of World War II Lore

★★★★☆ A screwball musical from London rolls onto Broadway

Sign up for new reviews

Copyright © 2025 • New York Stage Review • All Rights Reserved.

Website Built by Digital Culture NYC.