• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Reviews from Broadway and Beyond

  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Will Friedwald
    • Elysa Gardner
    • Sandy MacDonald
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Will Friedwald
    • Elysa Gardner
    • Sandy MacDonald
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
November 13, 2022 8:52 pm

The Old Man & the Pool: Mike Birbiglia Dives Into Middle Age

By Melissa Rose Bernardo

★★★★☆ The popular comic brings his own brand of gregarious, low-level neuroticism back to Broadway

Mike Birbiglia Old Man and the Pool
Mike Birbiglia in The Old Man & the Pool. Photo: Emilio Madrid

If you didn’t see Mike Birbiglia’s Sleepwalk With Me, which marked his off-Broadway debut in 2008, you can read the collected book of autobiographical comic essays, or listen to the audiobook. You can watch his later shows—My Girlfriend’s Boyfriend (his fantastic valentine to commitment-phobia) and The New One (his unexpectedly emotional ode to parenthood)—on Netflix.

But if you’re a fan—or simply a fan of story-driven stand-up comedy, not unlike Alex Edelman’s Just for Us (perhaps the best one-person comedy show I’ve ever seen, and produced by Birbiglia)—you should see Birbiglia live. He’s brought his latest show, the terrific The Old Man & the Pool, to the Vivian Beaumont; what the theater lacks in legroom it makes up for with a crowd of Birbiglia-age theatergoers who are trying to reconcile their boomer parents’ fragility with the prospect of their own mortality, and who also likely put off their annual checkups and recommended screenings for fear of receiving some kind of reprimand or bad news. (I’m just spitballing here.)

After a couple doctor visits where he learned that “these items in the physician’s office that I thought were decorative are quite functional,” Birbiglia was forced, reluctantly, on a path to improve his health. He ultimately settles on swimming—which unearths memories of childhood YMCA visits and musings on the amount of urine in a public pool (apparently there have been studies, and…well…you don’t want to know)—and keeps it up, for a while. Then: “Why do we stop doing the thing we know we should be doing?”

[Read Steven Suskin’s ★★★★☆ review here.]

Birbiglia is on tour in the Midwest when his doctor informs him that he has Type 2 diabetes. In fact, he’s on his way to retrieve a pizza delivery from his hotel lobby when he gets the news. “The thing about co-morbidities is that sometimes they team up to form a single morbidity,” he says. Suddenly, pizza is a lot less sexy—if you know Birbiglia’s work, you know how he feels about pizza—and he’s back in the over-chlorinated water at the Brooklyn YMCA. He even gets advice about his diet: “If you haven’t gone to a nutritionist, I’ll save you the trip. They know the same stuff as us.”

If you’ve never seen Birbiglia, you’ll quickly realize that his comedy is pointed but never cruel; though he mentions his wife, Jenny, and daughter, Oona, frequently, his prime target is himself; his pacing is near-perfect (only one bit, right at the end, runs out of steam); and a left-hook packed with emotion and sincerity often comes when you least expect it. “I feel like we don’t choose what we remember about our own lives,” he says about seeing his father, hospitalized, after an emergency angioplasty, “but what I remember the most about that day is that it was the first time I saw my dad as a person.”

Why do we stop doing the thing we know we should be doing? Birbiglia never explicitly answers, but we know this: He got back in the pool. So—what’s your pool?

Mike Birbiglia: The Old Man & the Pool opened Nov. 13, 2022, at the Vivian Beaumont Theater and runs through Jan. 15, 2023. Tickets and information: mikebirbigliabroadway.com

About Melissa Rose Bernardo

Melissa Rose Bernardo has been covering theater for more than 20 years, reviewing for Entertainment Weekly and contributing to such outlets as Broadway.com, Playbill, and the gone (but not forgotten) InTheater and TheaterWeek magazines. She is a proud graduate of the University of Michigan. Twitter: @mrbplus. Email: melissa@nystagereview.com.

Primary Sidebar

Bus Stop: William Inge’s Tony-Nominated Work on a Loving Return Trip

By David Finkle

★★★★☆ Jack Cummings III directs the insightful comical, dramatic work about made and missed connections, with grade-A cast

The Last Bimbo of the Apocalypse: Skanks for the Y2K memories

By Michael Sommers

★★★☆☆ Gen Z vloggers seek clicks and a missing chick in a mixed-up new musical

Sexual Misconduct of the Middle Classes: Let’s Hear It From the Boy

By Melissa Rose Bernardo

★★★★☆ Hugh Jackman plays a professor entangled with a student in Hannah Moscovitch’s 90-minute drama

Sexual Misconduct of the Middle Classes: Star Power Up Close

By Frank Scheck

★★★★☆ Hugh Jackman and Ella Beatty co-star in this intimate drama about a university professor who has an affair with one of his students.

CRITICS' PICKS

Dead Outlaw: Rip-Roarin’ Musical Hits the Bull’s-Eye

★★★★★ David Yazbek’s brashly macabre tuner features Andrew Durand as a real-life desperado, wanted dead and alive

Just in Time Christine Jonathan Julia

Just in Time: Hello, Bobby! Darin Gets a Splashy Broadway Tribute

★★★★☆ Jonathan Groff gives a once-in-a-lifetime performance as the Grammy-winning “Beyond the Sea” singer

John Proctor Is the Villain cast

John Proctor Is the Villain: A Fearless Gen Z Look at ‘The Crucible’

★★★★★ Director Danya Taymor and a dynamite cast bring Kimberly Belflower’s marvelous new play to Broadway

Good Night, and Good Luck: George Clooney Makes Startling Broadway Bow

★★★★★ Clooney and Grant Heslov adapt their 2005 film to reflect not only the Joe McCarthy era but today

The Picture of Dorian Gray: A Masterpiece from Page to Stage

★★★★★ Succession’s Sarah Snook is brilliant as everyone in a wild adaptation of Oscar Wilde’s prophetic novel

Operation Mincemeat: A Comical Slice of World War II Lore

★★★★☆ A screwball musical from London rolls onto Broadway

Sign up for new reviews

Copyright © 2025 • New York Stage Review • All Rights Reserved.

Website Built by Digital Culture NYC.