★★☆☆☆ Adaptations by Kate Hamill and Tristan Bernays are playing in rep, directed by Sarna Lapine and Timothy Douglas
Chekhov/Tolstoy Love Stories: Russian Masters Sparsely Served
★★☆☆☆ Chekhov’s “An Artist’s Story” and Tolstoy’s “Michael,” adapted by Miles Malleson
Where We Stand: Donnetta Lavinia Grays’ Elusive Town Meeting
★★☆☆☆ Audience participation with a perhaps misguided purpose, directed by Tamilla Woodard
Hamlet: Ruth Negga To Be or Not To Be in Title Role?
★★★☆☆ Yaël Farber’s handsome Gate Theatre production boasts pluses and minuses
House Plant: Wilts Quickly Before Your Aching Eyes and Ears
★★☆☆☆ Sarah Einspanier’s elusive play with three (over)actors and a fourth on violin
Bob & Carol & Ted & Alice: Mazursky’s Movie Musically Mangled
★☆☆☆☆ Creators Jonathan Marc Sherman, Duncan Sheik, and Amanda Green do no one any adapting favors
Matthew Bourne’s Swan Lake: Masterpiece Returns Triumphantly
★★★★★ A male swan king and male companions turn Ivanov/Petipa into masculine pride
Beyond Babel: “Romeo and Juliet” is “West Side Story”-ized, Very Well
★★★★☆ Keone and Mari Madrid lead highly-energized 12-member dance troupe with inspiration
Medea: Simon Stone’s Not Too Searching Euripides Update
★★★☆☆ Rose Byrne, Bobby Cannavale menace each other well as star-crossed former lovers
The Confession of Lily Dare: Charles Busch at His Best, As Always
★★★★☆ Carl Andress directs Busch, Nancy Anderson, Howard McGillin, others in heart-felt spoof