★★★☆☆ Alex Brightman is the major bright spot in Alex Timber’s stage transfer
All My Sons: Arthur Miller’s Family-Secrets Tragedy in A-Plus Revival
★★★★★ Annette Bening, Tracy Letts, Benjamin Walker outstanding under Jack O’Brien’s direction
Instructions for American Servicemen in Britain: Less Than Instructive
★★☆☆☆ A 1942 World War II pamphlet brought to the stage a bit on the late side
Socrates: Tim Blake Nelson Writes the Hemlock Drinker a Spiffy Toast
★★★★★ Michael Stuhlbarg is back on the boards, as good—or better—than ever
17 Border Crossings: Thaddeus Phillips Journeys With Great Success
★★★★☆ A unique look at how differently borders are patrolled around the globe, directed by Tatiana Mallarino
Oklahoma!: It May Not Be Necessary to 21st-Century-Update a Classic
★★★☆☆ Daniel Fish directs the Oscar Hammerstein II-Richard Rodgers musical with and without aplomp
Sincerely, Oscar: Great Lyricist Hammerstein II Is Mistreated in a Revue
★☆☆☆☆ Soprano Doreen Taylor conceives and writes a below-par showcase for herself and Azudi Onyejekwe
I Carry Your Heart: A Play About a Transplant And What Else Is Planted
★★★★☆ Georgette Kelly keenly sees how many hearts are affected after one meaningful operation
The Tragedy of Julius Caesar: Director Shana Cooper’s Furious Take
★★★★☆ An unusually well-spoken, even well-declaimed treatment, choreographed by Erika Chong Shuch
Ain’t No Mo’: This In-Yo’-Face Revue Asks If Blacks Should Fly to Africa
★★★★☆ While examining USA racism playwright-actor Jordan E. Cooper reaps chills, laughs