★☆☆☆☆ The latest commissioned endeavor in the Hudson Yards arts space is an incredible mishmash of martial arts, pop songs, and a silly story
Off-Broadway
We’re Only Alive for a Short Amount of Time: Flying Away, Through Art
★★★★☆ David Cale’s one-man show is a moving memoir of horrors and escape, with songs
We’re Only Alive for a Short Amount of Time: David Cale Digs Deep
★★★★☆ The writer-performer flies solo in this musical memoir about his coming of age in Luton, England
In the Green: Female Bonding, and Breaking, in Medieval Times
★★★☆☆ A new musical by and featuring Grace McLean recalls a singular woman (and saint) to beguiling, bewildering effect
In the Green: Forging a Medieval Saint
★★★☆☆ A cool though cryptic musical considers Hildegard von Bingen
Working: A Labor of Love
★★★★☆ The 1978 musical gets a City Center–centered update for the five-performance concert-style revival
Working: Stephen Schwartz and Pals Do Yeoman Revival Work
★★★★☆ Studs Terkel’s classic interviews with Tilly the Toiler, Tommy the Tiller, and others are musicalized with class and concern
Toni Stone: The Woman in a League of Her Own
★★★★☆ Lydia R. Diamond hits one right up the middle with her play about the first female Negro League ballplayer
The Mountains Look Different: Hardscrabble West Ireland Doings
★★★★☆ Micheál mac Liammóir’s couldn’t-be-more-Irish play, keenly directed by Aidan Redmond
The Mountains Look Different: No, They Really Look Rather Flat
★★☆☆☆ A rural Irish melodrama of 1948 vintage needs more magic to thrive