★★★★★ Michael Stuhlbarg is back on the boards, as good—or better—than ever
17 Border Crossings: Thaddeus Phillips Journeys With Great Success
★★★★☆ A unique look at how differently borders are patrolled around the globe, directed by Tatiana Mallarino
Oklahoma!: It May Not Be Necessary to 21st-Century-Update a Classic
★★★☆☆ Daniel Fish directs the Oscar Hammerstein II-Richard Rodgers musical with and without aplomp
Sincerely, Oscar: Great Lyricist Hammerstein II Is Mistreated in a Revue
★☆☆☆☆ Soprano Doreen Taylor conceives and writes a below-par showcase for herself and Azudi Onyejekwe
I Carry Your Heart: A Play About a Transplant And What Else Is Planted
★★★★☆ Georgette Kelly keenly sees how many hearts are affected after one meaningful operation
The Tragedy of Julius Caesar: Director Shana Cooper’s Furious Take
★★★★☆ An unusually well-spoken, even well-declaimed treatment, choreographed by Erika Chong Shuch
Ain’t No Mo’: This In-Yo’-Face Revue Asks If Blacks Should Fly to Africa
★★★★☆ While examining USA racism playwright-actor Jordan E. Cooper reaps chills, laughs
Accidentally Brave: Maddie Corman Bravely Tells Her Startling Story
★★★★☆ When a “well-known-ish” actress learns her husband’s dark secret, she attempts to right her upturned life
White Noise: Suzan-Lori Parks Offers a Brilliant Approach to Racism
★★★★★ Oskar Eustis neatly helms a work best seen before its heady contents are noised about
Juno and the Paycock: Sean O’Casey’s Tragedy In Top-Drawer Revival
★★★★☆ Neil Pepe directs an inspired cast, headed by Ciaran O’Reilly, Maryann Plunkett and John Keating