★★★★★ Jonathan Silverstein directs the deceptively quiet three-hander with surgical care
For Colored Girls Who Have Considered Suicide: Much More Than Enuf
★★★★★ Ntosake Shange’s 1976 success revived with highest standards benevolently applied
Power Strip: Sylvia Khoury’s Mostly Cogent Look at Syrian Refugees
★★★☆☆ Dina Shihabi give a strong performance as a woman forced from Damascus, attempting to survive by any means
The Sound Inside: Adam Rapp’s Potent Nod to Great Literature
★★★★☆ Mary-Louise Parker is strong as a creative-writing teacher with a talented, troubled student
Forbidden Broadway The Next Generation: Musical Comedy Takes It on the Chin
★★★★☆ Gerard Alessandrini is back with his usually delectable vengeance
The Rose Tattoo: Tennessee Williams’ Rose Isn’t a Rose Isn’t a Rose
★★★☆☆ Director Trip Cullman takes the work, starring Marisa Tomei, to be only a comedy, but it’s more than that
The Decline and Fall of the Entire World as Seen Through the Eyes of Cole Porter: The Decline Rises
★★★★☆ The 1965 Ben Bagley revue well treated by director Pamela Hunt, with Lee Roy Reams
Terra Firma: Sally Hammond’s Comedy(?) Not on Firm Ground
★★☆☆☆ The Coop’s introductory production lacks substance, wastes the marvelous Andrus Nichols
All My Fathers: Sometimes You Can Go Home But Maybe Shouldn’t
★★★☆☆ Paul David Young’s drama eventually waxes metatheatrical to no heavy benefit
The Wrong Man: How Wrong a Wrong Man Can Go in Song and Dance
★★★☆☆ Ross Golan’s original musical looks at injustice but not with sufficient insight