• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Reviews from Broadway and Beyond

  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Elysa Gardner
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
  • Now Playing
  • Recently Opened
    • Broadway
    • Off-Broadway
    • Beyond
  • Critics’ Picks
  • Our Critics
    • About Us
    • Melissa Rose Bernardo
    • Michael Feingold
    • David Finkle
    • Elysa Gardner
    • Jesse Oxfeld
    • MICHAEL SOMMERS
    • Steven Suskin
    • Frank Scheck
    • Roma Torre
    • Bob Verini
  • Sign Up
  • Facebook
  • Twitter
October 21, 2026 10:01 pm

860: Billy Crystal Turns Pain into Theatrical Gain

By Frank Scheck

★★★★☆ The comedian's alternately hilarious and moving one-person show revolves around the loss of his house in the Palisades Fire.

Billy Crystal in 860. Photo credit: Avery Brunkus

In 2025, Billy Crystal had a terrible, horrible, no good, very bad year.

That January he lost the beloved house he and his family had lived in for decades when it was reduced to ashes in the Palisades Fire. And in December he lost one of his best friends, Rob Reiner, who died under horrific circumstances. The veteran performer recounts those events and many more in his new one-person show, a spiritual successor to his acclaimed 700 Sundays. 860, the title of which refers to the address of his home on Chautauqua Blvd. in Pacific Palisades, channels his anguish into a hilarious and moving evening.

Crystal, still remarkably spry and vibrant at age 78, delivers the show from a set designed by Scott Pask recreating his home office filled with a lifetime’s worth of memorabilia including numerous Emmy Awards, signed photographs, and even a wooden seat from the original Yankee Stadium. The evening begins on a suspenseful note as he vividly describes his fear as the fire gets closer and closer to his home, finally forcing him and his wife Janice to evacuate. Harrowing film footage and photographic projections enhance his suspenseful account (Hana S. Kim and Kylee Loera did the video design).

[Read Roma Torre’s ★★★★★ review here.]

It wasn’t a particularly lavish home, a three-bedroom ranch house built in 1932. But he and his wife had lived there since 1979 and it had a show business history. It was originally owned by a husband-and-wife vaudeville team, and among the friends who visited them were George Burns, Red Skelton, Will Rogers, and Harry Houdini’s widow, Bess. It even featured a small outdoor amphitheater built into a hillside where the previous owners and their guests could perform.

After a lengthy paean to his former home, Crystal segues into a digressive account of his lengthy show business career, beginning with his studying film at New York University under a very rapid-speaking Martin Scorsese before transitioning to stand-up comedy. Honing his act at Catch a Rising Star alongside the likes of Richard Lewis and Jay Leno, he got his big break when he was offered the opportunity to open a concert by the popular band Blood, Sweat & Tears. His hilarious description of the gig, which began disastrously but ended in triumph, proves one of the show’s comic highlights.

Crystal delivers fun anecdotes relating to various chapters from his lengthy career, including his star-making role as the gay Jodie Dallas in the sitcom Soap; his one-year stint at Saturday Night Live where he played such memorable characters as Fernando of “You look mahvelous!” fame; his nine times hosting the Academy Awards; and his film career that included such hits as When Harry Met Sally and City Slickers. He also talks at length about his friendships with such iconic figures as Muhammad Ali and Mickey Mantle and, more poignantly, Robin Williams and Reiner.

Throughout it all, he delivers hilarious one-liners with the expert comic timing of a veteran Borscht Belt comedian, enlivened by expressive facial expressions and body language. His gift for physical comedy is showcased in a riotous account of a psychedelic drug trip he experienced along with his older brother, culminating with a photograph that has to be seen to be believed.

Although the evening breezily directed by Scott Ellis and featuring original music by Marc Shaiman threatens to become maudlin and self-pitying when Crystal lengthily recounts his anguish upon the loss of his home and all of his possessions, he manages to sidestep the pitfall with his frequent uproarious jokes. Accompanying his account with home movies and photographs that make the loss vividly palpable, he still manages to end the evening on a joyful, uplifting note. 860 is a master class in the autobiographical blending of humor and emotion.

860 opened October 21, 2026, at the Imperial Theater and runs through January 3. Tickets and information: www.billycrystal860.com

About Frank Scheck

Frank Scheck has been covering film, theater and music for more than 30 years. He is currently a New York correspondent and arts writer for The Hollywood Reporter. He was previously the editor of Stages Magazine, the chief theater critic for the Christian Science Monitor, and a theater critic and culture writer for the New York Post. His writing has appeared in such publications as the New York Daily News, Playbill, Backstage, and various national and international newspapers.

Primary Sidebar

860: Billy Crystal Brings Down the House

By Roma Torre

★★★★★ Crystal is at his comedic best proving a lifetime of memories are fireproof.

The Curious Case of Benjamin Button: A Musical Fable That Will Make You Feel Younger

By Frank Scheck

★★★★☆ Andrew Durand plays the title role in the Public Theater's production of the Olivier Award-winning British musical

The Curious Case of Benjamin Button: New Musical Pushes Button

By David Finkle

★★★★☆ Jethro Compton, Darren Clark adapt Fitzgerald story, enthusiastic cast acts, plays instruments

King of the Yees: Talking About Chinatown Royalty

By Michael Sommers

★★★★☆ Lauren Yee’s meta-theatrical comedy offers a family view of Chinese American culture

CRITICS' PICKS

Other Desert Cities

Other Desert Cities: A Piercing Revival of Jon Robin Baitz’s Best Play

★★★★☆ John Benjamin Hickey directs a new Broadway version of the darkly funny family drama

Kramer/Fauci: Friendly Adversaries Tangle Over AIDS Progress

★★★★☆ Highly resourceful conceiver-director Daniel Fish gets theatrical again

School Girls; Or, The African Mean Girls Play: Jasmine Amy Rogers and Denée Benton Battle It Out

★★★★☆ Whitney White directs a first-rate cast in Jocelyn Bioh’s comedy

Ford Hill

The Ford/Hill Project: Provocative, Totally True, and Way Too Timely

★★★★☆ Two men and two women re-create, verbatim, two memorable and distressingly similar Senate judiciary committee hearings 27 years apart

Just in Time: Jeremy Jordan Will Be Your Bobby Darin From Now On

★★★★☆ Replacing Jonathan Groff, the Broadway veteran delivers a stellar turn in the musical that merits a repeat viewing.

Oh, Mary!: Lincoln, Drinkin’ and Todd

★★★★☆ Cole Escola writes and stars in a Bizarro World version of Honest Abe's spouse as cabaret diva

Sign up for new reviews

Copyright © 2026 • New York Stage Review • All Rights Reserved.

Website Built by Digital Culture NYC.