★★☆☆☆ NAATCO stages a pleasant if patchy all-female, all-Asian American revival
Old Cock: Fowl Doings all the Way from Portugal
★★★☆☆ Robert Schenkkan’s semi-satirical historical study appears Under the Radar
Les Ballets Trockadero de Monte Carlo: Gives you the “Wilis” and more
★★★★☆ Program A features a spooky Giselle plus a bright new Balanchine tribute
Eureka Day: Woke’s the Word in Jonathan Spector’s Timely Comedy
★★★★★ Bill Irwin, Jessica Hecht and company bring great distinction to the Broadway season
Cult of Love: They’ll Be Home for Christmas, If Not So Dreamily
★★★☆☆ Zachary Quinto heads the ensemble for Leslye Headland’s new play
We Are Your Robots: “What do you want, my human friends?”
★★★☆☆ Ethan Lipton and cohorts musically ponder artificial intelligence and other smart matters
The Blood Quilt: Piecing Together a Black Family’s History
★★★☆☆ Lincoln Center Theater produces Katori Hall’s tasty though overstuffed drama
Babe: Sex, Rock and Gen Z in a Tik-Tok Workplace
★★★★☆ Marisa Tomei heads The New Group’s smart staging of Jessica Goldberg’s drama
Tammy Faye: Brit Tuner Sings the Red, White and Boo-Hoo Blues
★★☆☆☆ Elton John’s uninspired score scarcely uplifts a new bio-musical
Maybe Happy Ending: Beguiling Musical Charmer from Korea
★★★★☆ Darren Criss and Helen J Shen star in a bittersweet new musical about bots in love