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Michael Sommers

November 10, 2024 9:00 pm

Give Me Carmelita Tropicana!: Experimental Identities

★★★☆☆ Soho Rep exits its longtime home with an antic tribute to a downtown icon

November 8, 2024 9:59 pm

Gatz: Great Scott!

★★★★★ Elevator Repair Service’s remarkable word-for-word Fitzgerald staging returns to the Public

October 29, 2024 8:58 pm

Another Shot: When Harry Met Rehab

★★★☆☆ Dan Butler plays a nice guy who insists “I don’t need to quit drinking”

October 28, 2024 8:57 pm

In the Amazon Warehouse Parking Lot: Survivors, from Sarah Mantell

★★★☆☆ Blackburn prize-winner studies love in a dystopian climate

October 16, 2024 9:58 pm

Hold on to Me Darling: Don’t Let Go His Ego

★★★★☆ Adam Driver stars as a self-involved charmer

October 15, 2024 9:00 pm

Vladimir: Putin on the Fritz

★★☆☆☆ A cautionary new drama views Russian corruption

October 13, 2024 10:02 am

Sump’n Like Wings: Yearning to Fly Away

★★★☆☆ A lost play by Lynn Riggs studies youthful urges in 1910s Oklahoma

October 13, 2024 10:00 am

Deep History: Can We Survive Climate Change?

★★★☆☆ David Finnigan delivers a lecture on humanity facing catastrophe

October 7, 2024 9:00 am

The Big Gay Jamboree: Trapped Inside a Vintage Musical

★★★★☆ Titanique maker Marla Mindelle stars as a comical lady in the dark of her own devising

October 3, 2024 10:00 pm

Safety Not Guaranteed: Nor Is a Satisfying Time

★★☆☆☆ An intriguing-sounding sci-fi musical romance, disappointingly realized

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Primary Sidebar

David Copperfield: Pint-Sized Version Offers Tarnished Brass

By Steven Suskin

★★☆☆☆ This three-player Brits Off Broadway version from the Guildford Shakespeare Company disappoints

A Woman Among Women: Hubris and You

By Michael Sommers

★★☆☆☆ LCT3 hosts a community riff on classical themes by Julia May Jonas

A Woman Among Women: A Female All My Sons Without the Tragedy

By Roma Torre

★★☆☆☆ Julia May Jonas puts a feminist spin on the Miller classic and comes up short.

Girl, Interrupted: Living Under the Bell Jar

By Michael Sommers

★★★★☆ Martyna Majok and Aimee Mann craft an intimate drama with songs about women existing in a 1960s psychiatric facility

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